emynd wrote:
In general, I think this is much ado about nothing. Let's not forget that SFJ is writing this for the mofoing New Yorker and he's attempting to talk to people that don't know crap-about-rap about what's going on in rap from a popular music perspective.
To me, SFJ isnt saying Rap is dead, he's simply saying the following:
"hip-hop is no longer the avant-garde, or even the timekeeper, for pop music. Hip-hop has relinquished the controls and splintered into a variety of forms."
Framing that argument in terms of "HIP HOP IS DEAD" was a stupid rhetorical move because of course Hip-Hop isn't dead dead, but I guess he's arguing that its domination of popular music might be dead. But while that POP influence might be dying, I don't believe he's arguing that rap is dead but that after it stops its moderate obsession with European dance musics influences that have been dominating the airwaves as of late (a la Kid Cudi and some of Jay-Z's new album) that it's likely to take a turn towards more TRADITIONALISM (a la "Only Built for Cuban Linx 2" or Freddie Gibbs) instead of its history of Avante-gardism.
I couldnt make it through that Das Rascist bullshit. It felt like disingenuous THAT'S RACIST EMIL 2004 shit. I'm surprised anyone thinks their article is poking holes in anything SFJ said in that piece. I don't necessarily agree with SFJ, but he most certainly wasnt being "racist" by saying "rap isnt the timekeeper for pop music anymore."
-e
You don't think that pointing out that basically all of the categories SFJ is using to discuss "hip-hop" are old and/or questionable and/or unstable is poking holes in his "hip-hop is dead" argument, which you yourself acknowledge is a "stupid rhetorical move"? It is the argument that he made, even though he kept backpedaling from it, and they point out that the reason he made it is because he wants to get attention (which he got) and be recognized as the authoritative critic who called it first, which they point out is kind of a mighty-whitey move when it comes to criticism of rap music.
Also, it's a standard move of non-white-but-non-black people who get involved in rap-related racial controversies to point out that they themselves are not white (although they themselves are not black), but it is worth pointing out that I don't think that either of the members of Das Racist is white. According to Wikipedia their names are Himanshu Suri and Victor Vazquez and they met in the "students of color for racial justice" dorm at Wesleyan. Which, I mean, God help us, worse rap groups have probably come out of that dorm.
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